There are presently no open calls for submissions.
Welcome to Electric Literature's submissions hub!
We have a number of categories, including Essays, Novel Gazing, Recommended Reading, and The Commuter. Please scroll down for information and guidelines on the category you are interested in.
The Commuter—Open for PROSE, POETRY, and GRAPHIC NARRATIVE Submissions July 20th (12:00am) through July 27th (11:59pm)
The Commuter is our home for poetry, flash, graphic, and experimental narratives. It publishes weekly on Monday morning, and has showcased the likes of Caroline Hadilaksono, Aleksandar Hemon, Jonathan Lethem, Lindsay Hunter, Tahirah Alexander Green, and Julia Wertz.
Please keep the following guidelines in mind:
- For Prose, submit up to 3 flash fiction pieces, either standalone or connected. The total word count should not exceed 1500 words in a single document.
- For Poetry, submit 3–5 poems in a single document, and please limit the page count to 8.
- For Graphic Narrative, we are interested in both traditional and non-traditional forms of visual storytelling. Submit up to 3 pieces of narrative illustration, comics, or mixed media narrative. For comics, each piece should contain a minimum of 3 panels. The total page count of your submission should not exceed 15 pages.
- Please submit all genres in .doc, .docx, or PDF.
- Please submit only once per category.
- If your work is selected, we can offer a total payment of $100.
All submissions will be accepted through our Submittable page. For a sense of the kind of work we publish, check out recent issues of The Commuter, our 280-character contest winners, and Recommended Reading’s 300th issue.
Recommended Reading General Fiction Submissions—Closed
- Recommended Reading publishes fiction between 1,500 and 10,000 words. (For fiction shorter than 1,500 words, check for open submission periods to the Recommended Reading Commuter.
- Simultaneous submissions are accepted but please notify us immediately if a piece is accepted elsewhere.
- Response time is three to six months.
- Upon acceptance, we can offer authors $300 for publishing rights.
- During general submissions periods, writers may submit one piece per opening period. (This does not apply to year-round submitting members. For more information on members submissions, please visit the members hub.)
Novel Gazing is Electric Literature’s personal essay series on the way that stories and reading shape our lives.
For this round of Novel Gazing, Electric Lit’s personal essay series about the way stories shape our lives, tell us about a book (or movie, or show, or other narrative media) that shifted your opinion. This could be a huge change — the book that convinced you God existed, or didn’t; the play that altered your political perspective; the movie that convinced you to have kids — or a small one. Tell us about the stories that revolutionized your outlook on your family, on your career, on your own creative output. Tell us about the opinions you thought were unshakeable, until you encountered the story that turned everything upside down.
You may want to read some earlier Novel Gazing essays to get a feel for the series. Some recent favorites include essays about moving on from grief with the help of an AIDS memoir, about learning the wrong lessons from 200-year-old erotica, and about realizing that the romances of young adult literature aren’t written for you.
- Essays should not be longer than 4,000 words or shorter than 800
- Payment is $100 per piece.
- Non-women are welcome to submit their work.
- Read more about our vision for this series here and here.
We’re particularly interested in pieces that examine the intersection of the literary experience and other creative endeavors: film, fine art, music, video games, science, tech, architecture.
- Payment for essays is $100.
- Length is up to you, but we suggest aiming for 1,500–4,000 words.
- To see what kind of essays we have published, visit our site.
Please title your submission in a way that highlights its connection to the world of literature, the role of narrative in our lives, or the power of storytelling. Essays that do not reflect directly on the world of literature, books, or the role of narrative in our lives cannot be considered.